Sunday, 9 September 2012

Assignment 3 - Canals

Requirement
8 images

Instructions
  • Pick a theme (e.g. a colour, water, transient light, conservation)
  • Shoot 8 images that in different ways address this theme 

Project
In 18th century England canals provided the transport system which supported the economic revolution that ushered in the modern industrial world. Despite being overtaken a century or so later by the railway, the canal is still with us. What survives? How has our relationship with it changed? What other impressions does it convey? 

This project addresses these 3 questions by looking at 8 different sides of canal experience. 
  • Locks and weirs (1), boats (2) and engineering (3) are the surviving constants that define what a canal is and what happens on them
  • Recreation (4), homes (5) and trash (6) are part of today's relationship
  • Reflection [in still water] (7) and [the return of] nature (8) describe two powerful impressions.
Each of these 8 dimensions has in turn 8 supporting images, from which one has been chosen as the formal exhibit for the assignment. The 64 images in this post were taken along two canals, the Wey Navigation and Basingstoke, as well as part of their link to the Thames (at least as far as Hampton Court). 

Personal experience
Before this project, my knowledge of canals was sketchy. Internet research, pouring over maps and, more importantly, cycling the towpaths during July and August 2012 gave me the insight into canals as revealed in these images.

Learning
Important personal learning as a photographer was:
  • Observe more before shooting the subject and take fewer but more effective images: improves focus on meaning and composition
  • Manage workflow better, but also get more RAM and use a more user friendly blog service.
What next?
  • Add a 'changing seasons' angle to the project: different light, weather, colours (esp autumn)
  • Sharpen composition of some images so that their message has more impact
  • Replace images which repeat too much of what has already been communicated with ones giving a fresh perspective
(Whether this happens as part of this course depends on whether OCA give me an extension, as I am out of time at the end of November 2012).

Images - the Finalists
The 8 chosen images for this assignment are.

1. Locks and weirs

The weir that drills water like marching soldiers
(also a pale tribute to Toshio Shibata's work)
Molesey Weir

2. Boats

Multi-coloured Narrow Boats at
their summer resting place
Wey at Pyrford Marina

3. Engineering

The retired winch rusts away
Basingstoke Canal near Maybury

4. Recreation


Tourists, packed in like industrial goods, 
relive the horse drawn journey up the canal
Wey at Farncombe
5. Homes


Converted home, a mill now used as flats
Coxes Mill, Addlestone, Wey 

6. Trash


Which is the greater abuse: the concrete of the M25 
or the graffitti on its supporting pillars?
Wey at M25 Bridge, New Haw
7. Reflection


The water watches as the cyclists 
ignore official advice to dismount 
under narrow bridge
Basingstoke Canal, Woking
8. Nature


The rotting barge overwhelmed by reeds and weeds
Basingstoke Canal, nr Frimley

Tutor's comments
General
Pleased you investigated Canals with such effort and tackled it thematically. Your work is critical in places and visually strong throughout. Even so, you
  • should say which particular aspect of the 8 you found most interesting
  • should think about what you might like to develop in the future
  • could consider how you might use one of the ideas here in a similar way but with a different subject
Keep working at Liz Wells' Land Matters, by far the most authoritative overview of contemporary landscape practice. 

What survives?

1. Locks and Weirs
Locks and weirs make canals navigable over the rise and fall of the landscape. Their role has not changed for centuries. Locks raise and lower boats between stretches of water of different levels, whilst weirs are the overflow dams that stabilise the water level. Locks seem to have a gentle existence, weirs a violent one. 

You show many types of structure here, too many in fact. These types of mechanical/ industrial structure need a more formal, 'typological' approach.

1a The weir that drills water like marching soldiers...
Thames, Molesey Weir

Is this the best shot? 1b seems preferable

1b...the dark calm and the bright fury over the edge
Thames, Molesey Weir

1c...the (foot) bridge over troubled waters...
Ash Island, Thames,  Molesey Weir
1d...the incontinent lock, 
(Well, it dates from 1653)...
Wey at Weybridge
1e...downstream, the idle lock reflects its world on one side...
Basingstoke Canal at West Byfleet

Tidy up the perspective: verticals should be straight to make viewing
more comfortable (as well as show a more considered approach)
1f...and on the other, it  traps the toxic looking
bloom of algae...
Basingstoke Canal at West Byfleet
1g...whilst, upstream, the lock lets in traffic, 
whilst lock keeper greets the crew...
Thames, Molesey Lock
1h...the (grid) lock of peak  time, 
midday on a summer Sunday ...
Thames, Sunbury Lock

2. Boats 
Boats are the consumers of canals. They always have been, even though the purpose of their journey is no longer carrying industrial and agricultural goods to market and fashions as ever change.

Weakest category: do they tell the story of canals or are just snaps of pretty boats on a day out?


2a Moored multi-coloured Narrow Boats...
Wey at Pyrford Marina

Strongest image with punchy colour


2b...the rowing boat at the bottom of the garden...
Basingstoke Canal near Frimley
2c...the skiffs tethered on Regatta day...
Thames Valley Skiff Club (founded 1923), nr Walton
2d...the barge with the curious name...
Basingstoke Canal near Sheerwater

2e...the boats awaiting hire...
Wey at Byfleet
2f...the Dutch barge of the Thames River project, 
a charity to improve access to the river, negotiates the lock...
Thames at Molesey Lock
2g...the 'paddle steamer' brings a flock
of tourists to Hampton Court
Thames, Hampton Court
2h...the yachts moored cheek by jowl at the marina...
Thames, Hampton Court

3. Engineering
Canals have always needed industrial ironwork to make them function. Much of it uses technology that has been with us for centuries.

Some nice images. However, this category seems too loosely defined. Some of the images belong to heritage, like rusty cogs, whilst others to current structures. Perhaps you should have focused on current developments, including people working on them.


3a The retired winch rusts away...
Basingstoke Canal near Maybury



3b...brake handles in the weir house... 
Molesey Weir

3c...loose chains loafing in the sunshine...
Molesey Weir
3d...button shaped rivets on a green bridge...
Basingstoke Canal near Brookwood
3e...web of scaffolding for a new road bridge...
Walton-on-Thames
3f...outstretched arms of the lock gates...
Basingstoke Canal nr Deepcut

3g...steel gate valves in a row... 
Molesey Weir

3h...the engineer leave his calling card
Wey at Walsham Gates



What new relationships?



4. Recreation
Whereas the canals were built for commercial transport, today they are venues for recreation - tourists, weekend sailors, fugitives from the rat race, anglers, walkers, cyclists.

Certainly relevant to canals in their modern role. Even so, none of these images feel anything like as engaged as the rest of the work. Are you interested or just ticking the box? Consider creating stronger images by approaching people, asking them about how they use the canal and then shoot something much closer-up (without making it a portrait)


4a Tourists, packed in like industrial goods, relive 
the horse drawn journey...
Wey at Farncombe


4b Family Sunday outing - some talking, some looking,
some elsewhere in their thoughts...
Thames, approach to Sunbury Lock

4c ...lone weekend sailor gets the ropes ready 
to moor his boat in the queue for the lock
Thames, Approach to Sunbury Lock
4d ... long distance traveller (3 month break from 
the rat race and his wife, so he told me)
waits his turn to enter the lock
Molesey Lock 

4e...crew bunks off 
(but who cares? it's a sunny day)
Thames, Sunbury Lock
4f...angler settled in for a long session
Thames near East Molesey
4g...stroller and cyclist take to the towpath
Walton-on-Thames

4h...spiritual presence, memorial to a father much missed...
Basingstoke Canal near Brookwood


5. Homes
Canals were designed originally for transport not living. However, today they are places some people call home.




5a...converted home, a mill now used as flats, with a view
Coxes Mill, Addlestone, Wey Navigation Canal

Most striking image, despite tilt in horizon line, although not the most interesting (see 5e)


5b...building home, shell of a new house boat being painted...
Basingstoke Canal, West Byfleet
5c...moving home, house boat in transit
Thames near Sunbury
5d...tidying up home, householder trims hedges by the canal
Basingstoke Canal near Brookwood
Most interesting: summer afternoon in home counties, as well
as says more about living by the canal than the others

5e...brightening up home, clown-like face stares out 
from behind house boat 
(or does it have a darker purpose?)...
Basingstoke Canal at West Byfleet
5f...owning a 'Des Res' on the river...
Taggs Island, Thames
5g...making a Home Sweet Home,
TV aerial, porch, ornamental bushes...
Basingstoke Canal at West Byfleet
5h...remaking of the terraced house
Basingstoke Canal at St Johns, Woking

6. Trash
The graffiti artist and the fly tipper treat the canal as the stage on which to express themselves in trash.

Some strong simple images - see items *. Good work. This category offers a more realistic impression of UK canals.

6a What is the greater abuse: the concrete of the M25 or the graffitti?
Wey at M25 Bridge, New Haw
6b...nevertheless, intelligent graffitti...
Basingstoke Canal at Woking
6c...not so intelligent (unless it was
Richard leaving his mark with a spray can)...
Basingstoke Canal near Camberley
6d...the unintelligible...
Wey at New Haw
*6e...supermarket crate under the lily pad...
*6f...floating drums...
*6g...colour co-ordinated waste...
*6h...'Every little helps'
Basingstoke Canal at Maybury


What moods in its modern role?


7. Reflection
Still water throws up reflections, sometimes stunning, of its surrounding world

Some nice images but too much effort on composition at the expense of exploring subject in depth


7a The water watches as cyclists ignore official advice
to dismount under narrow bridge...
Basingstoke Canal, Woking

Would work better in Recreation.


7b...passenger drinks his tea...
Wey Navigation Canal, nr Pyrford Lock
7c ....moving train and bridge leave a streak across the water
Wey Navigation Canal, Electricity Station, New Haw 
7d...geometry of light and shadow under bridge...
Basingstoke Canal at West Byfleet
7e...surreal reflection by a row of house boats...
Basingstoke Canal at West Byfleet
7f...empty office block seen upside down in the water...
Basingstoke Canal near Woking

7g...inflow into canal mounted in sandbags... 
Basingstoke Canal at Deepcut
7h...steps and garden at the water's edge...
Basingstoke Canal near Frimley


8. Nature 
Left unused nature reclaims the canal for itself.

Strong category with some critical images. Sits well alongside 'Trash'. Images (b) and (g) speak to neglect.  Consider developing this category.



8a The rotting barge overwhelmed by reeds...
8b..the narrowing canal as nature moves in...

8c...reeds sprouting through the algae...


8d...foxglove overtaking the canal...

8f...rusting barge makes a career change as 
a flower pot...
8g...alive
8f...dead



Tuesday, 12 June 2012

Intimate landscape (28)



Requirement
4 images

Purpose
To explore close order compsitions of nature

Technical learning
  • A common defintion of landscapes is that they go all the way to the horizon
  • Even so, some argue that more selective views, even close-ups, fall within scope (see Intimate Landscapes, by Eliot Porter)

Intimate Landscapes, Eliot Porter
Each simple, but compelling, compositions of the texture, colours and shapes of nature

Colorful trees.
Newfound Gap Road,
Great Smoky Mountains National Park,
Tennesee. October, 1967

Foxtail grass,
Lake City, Colorado. August, 1957
Redbud trees in bottomland,
Near Red River Gorge
Kentucky. April 17, 1968 

Rock-eroded stream bed.
Coyote Gulch,
Utah. August 14, 197y

Shadbush. Near Hillsborough,
New Hampshire. April 28, 1957

Stones and cracked mud.
Black Place, New Mexico. June 9, 1977

Exercise instructions
  • Produce 3 to 4 images of this type (i.e. no horizon)


Images and review

Molesey Weir, Surrey, July 12

Inspired by Toshio Shibata. The water acquires
a treacle like consistency yet still conveys
the violence of its rushing through the weir.
Taken with a ND 3 stop with smallest aperture
available on my 28mm/300mm everyday
lens at ISO 1000.
Rock strata, Sandymouth, Devon, April 12

This exposed section of cliff shows the erosion
of wind and wave on rock as well
tells part of the history of
how the rock came to be

Chopped wood, Alps, Apr 2010


Texture rather than colour is the
key feature of this neatly stacked pile of wood.
So B&W and sharpening the pixels
to bring out the saw marks. 
Rolling hills, nr Gittisham, Devon, June 12

Taken under overcast skies, the peaceful 
greens of the Devon hills


Poppy fields, Upavon, Wiltshire, June 12

Let me take you down
'cos I'm goin to...Poppy Fields For Ever

Sidmouth beach, just after a spell of rain, June 12

Seemed to capture the mood of life on the
beach better than a horizon shot, as
well contrast between shingle and
sand

Wheat field, Salisbury Plain, June 2012


Wind blown wheat,
motion blur to convey effect

Field on Salisbury Plain, May 2012


Rings of seedlings in spring


View from a lay-by on A 303, Wiltshire, September 2011

Again taken in overcast conditions, shows
the textures of farmed landscape, where
the planes fold into one another


Monday, 11 June 2012

By the light of the moon (27)



Requirement
Several images

Purpose
To work out the exposure as well as to to discover how the quality of moonlight differs from sunlight

Technical learning
  • Very different to photographing the sun or in sunlight as well as the moon itself
  • Anything less than a full moon almost certainly will produce an unsatisfactory result
  • Light intensity is c 20 stops less than in sunlight (e.g. an exposure of ISO 100, f16, 1/250 in sunlight would translate in to   - ISO 800 (3 stops) + f2.8 (4 stops) + x minutes at 32 seconds
  • Nevertheless, bracket to allow for fluctuation in light levels and inaccuracy in reciprocity (of duration and light intensity)
  • Although the human eye under moonlight sees strongly desaturated colours, the sensor will pick up the natural colours of the scene, creating an 'unreal' scene

Exercise instructions
  • Shoot a scene under moonlight, using a tripod and cable release
  • Bracket shutter speed to finesse  exposure
  • Examine the results


Images and review

Exercise not attempted

Saturday, 9 June 2012

Shooting the moon (26)



Requirement

1 image

Purpose
To develop technique in shooting successful images of the moon

Technical learning
  • 2 options for using the moon in a landscape: (a) include it in the image by shooting towards it and (b) use moonlight as an illumination
  • Brightness of the moon, like the sun, depends on the state of the atmosphere, including the presence of haze or cloud. Use a spot meter to measure brightness, although bracketing is a useful precaution
  • The urban light that often balances exposure of moon shots is generally absent in natural landscape after dark. So, shooting at dusk or dawn works better in showing some other landscape features and recognisable silhouettes
  • Use the most powerful telephoto lens available (preferably at least 400mm), otherwise the moon will appear too insignificant.
  • On the first night the full moon it rises directly opposite the sun at the time at which it sets. Every following night, it rises about 1 hour later (i.e. 24 hours/ 28 days of the lunar cycle)

Exercise instructions
  • Pick an interesting horizon line at full moon around dusk
  • Shoot at least one image of the moon


Images and review


Full moon over London Bridge

Full moon taken opportunistically with a compact camera. So, the definition of
the moon is weaker than I would like.
However, I like the composition, especially
the balance between the moon and
the buildings

Full moon over Lake Zurich, June 10

Again I like the composition except
its sharpness, especially of the moon
itself. Smaller aperture would have
improved the result.